The myriad-minded man, our, and all men's, Shakespeare, has in this piece presented us with a legitimate farce in exactest consonance with the philosophical principles and character of farce, as distinguished from comedy and from entertainments. A proper farce is mainly distinguished from comedy by the licence allowed, and even required, in the fable, in order to produce strange and laughable situations. The story need not be probable, it is enough that it is possible.
The citizen ... preserved the resolute bearing of one who was not to be frowned down or daunted, and who cared very little for any nobility but that of worth and manhood.
An expense of ends to means is fate;Morganization tyrannizing over character. The menagerie, or forms and powers of the spine, is a book of fate: the bill of the bird, the skull of the snake, determines tyrannically its limits.
As life goes on it becomes tiring to keep up the character you invented for yourself, and so you relapse into individuality and become more like yourself everyday.
No one should be judged by their defects. The great virtues a person has are his or her especially. But their errors are the common weakness of humanity and should never be counted in estimating a person’s character.
Being on a show with a female lead is amazing for me. I love that. I love the powerful woman who's complicated. There's no push to be one thing or another thing. It's all human. That's what you look for as an actor: characters written and portrayed in the most human way possible.
The superior man will watch over himself when he is alone. He examines his heart that there may be nothing wrong there, and that he may have no cause of dissatisfaction with himself.