I cannot see the short, white curls Upon the forehead of an Ox, But what I see them dripping with That poor thing's blood, and hear the ax; When I see calves and lambs, I see Them led to death; I see no bird Or rabbit cross the open field But what a sudden shot is heard; A shout that tells me men aim true, For death or wound, doth chill me through. W.H. Davies I have been studying the traits and dispositions of the "lower animals" (so called) and contrasting them with the traits and dispositions of man. I find the result humiliating to me.
Pity is for the living, envy is for the dead.
Death, the refuge, the solace, the best and kindliest and most prized friend and benefactor of the erring, the forsaken, the old and weary and broken of heart.
Surely the test of a novel's characters is that you feel a strong interest in them and their affairs the good to be successful, the bad to suffer failure. Well, in John Ward, you feel no divided interest, no discriminating interest you want them all to land in hell together, and right away.
That is an editor. He is trying to think of a word. He props his feet on a chair, which is the editor's way; then he can think better. I do not care much for this one; his ears are not alike; still, editor suggests the sound of Edward, and he will do. I could make him better if I had a model, but I made this one from memory. But is no particular matter; they all look alike, anyway. They are conceited and troublesome, and don't pay enough.
No throne exists that has a right to exist, and no symbol of it, flying from any flagstaff, is righteously entitled to wear any device but the skull and crossbones of that kindred industry which differs from royalty only businesswise-merely as retail differs from wholesale.
Each man must for himself alone decide what is right and what is wrong, which course is patriotic and which isn't. You cannot shirk this and be a man. To decide against your conviction is to be an unqualified and excusable traitor, both to yourself and to your
country, let men label you as they may.
As soon as a man recognizes that he has drifted into age, he gets reminiscent. He wants to talk and talk; and not about the present or the future, but about his old times. For there is where the pathos of his life lies - and the charm of it. The pathos of it is there because it was opulent with treasures that are gone, and the charm of it is in casting them up from the musty ledgers and remembering how rich and gracious they were.