I notice that you use plain, simple language, short words and brief sentences. That is the way to write English―it is the modern way and the best way. Stick to it; don't let fluff and flowers and verbosity creep in. When you catch an adjective, kill it. No, I don't mean utterly, but kill most of them―then the rest will be valuable. They weaken when they are close together. They give strength when they are wide apart. An adjective habit, or a wordy, diffuse, flowery habit, once fastened upon a person, is as hard to get rid of as any other vice.
You don't know about me without you have read a book by the name of The Adventures of Tom Sawyer; but that ain't no matter. That book was made by Mr. Mark Twain, and he told the truth, mainly. There was things which he stretched, but mainly he told the truth. That is nothing. I never seen anybody but lied one time or another, without it was Aunt Polly, or the widow, or maybe Mary. Aunt Polly—Tom's Aunt Polly, she is—and Mary, and the Widow Douglas is all told about in that book, which is mostly a true book, with some stretchers, as I said before.
I should be sorry to think it was the publishers themselves they got up this entire little flutter to enable them to unload a book that was taking too much room in their cellars, but you can never tell what a publisher will do. I have been one myself.
The darling mispronunciations of childhood! - dear me, there's no music that can touch it; and how one grieves when it wastes away and dissolves into correctness, knowing it will never visit his bereaved ear again.
Man is a marvelous curiosity...he thinks he is the Creator's pet...he even believes the Creator loves him; has passion for him; sits up nights to admire him; yes and watch over him and keep him out of trouble. He prays to him and thinks he listens. Isn't it a quaint idea.
I do see that there is an argument against suicide: the grief of the worshipers left behind, the awful famine in their hearts, these are too costly terms for the release.