I believe that we should read only those books that bite and sting us. If a book we are reading does not rouse us with a blow to the head, then why read it?
When the wind is blowing and the sleet or rain is driving against the dark windows, I love to sit by the fire, thinking of what I have read in books of voyage and travel.
Books are good but they are only maps. Reading a book by direction of a man I read that so many inches of rain fell during the year. Then he told me to take the book and squeeze it between my hands. I did so and not a drop of water came from it. It was the idea only that the book conveyed. So we can get good from books, from the temple, from the church, from anything, so long as it leads us onward and upward.
You need to change yourself. The moment that you change yourself it is a gigantic step. And this is what I do. The book is much more important than the writer.
This is much more than your typical thriller. Tim Johnston has written a book that makes Gone Girl seem gimmicky . . . Johnston is an excellent writer. You want to set this one down so you can take a breath, and keep reading--all at the same time.
This rough magic I here abjure and when I have required some heavenly music, which even now I do, to work mine end upon their senses that this airy charm is for, I'll break my staff, bury it certain fathoms in the earth, and deeper than did ever plummet sound, I'll drown my book.
Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only Beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.
A colleague once described political theorists as people who were obsessed with two dozen books; after half a century of grappling with Mill's essay On Liberty, or Hobbes's Leviathan, I have sometimes thought two dozen might be a little on the high side.
We might remind ourselves that criticism is as inevitable as breathing, and that we should be none the worse for articulating what passes in our minds when we read a book and feel an emotion about it, for criticizing our own minds in their work of criticism.