I personally have never trusted museums. ... It is because museums, broadly speaking, live off of the art and artifacts of others, often art and artifacts that have been obtained by dubious means. But they also manipulate whatever it is they present to the public; hence, until Judy Chicago, in the 1970s ... few women artists were hung in any major museum. Indian artists? Artifacts only, please. Black artists? Something musical, maybe? And so forth.
War contributes greatly to global warming, which shouldn't surprise us. All those bombs going off, all those rockets, all those planes and helicopters. All that fuel of various kinds being used. It pollutes the air and water of this very fragile and interconnected planet.
I can be almost terminally grief-stricken because things are so dire, but at the same, there's a real lightheartednes s about just the recoverability of life, of how things change, how they're not the same, ever again.
War is a dead end, literally. And, what is more, we simply can't afford it. Not morally, and not financially. How long will it take the citizens of the United States, one wonders, to recognize that the house their country bombed in Iraq is the same one they were living in until it was foreclosed?
Abortion, for many women, is more than an experience of suffering beyond anything most men will ever know, it is an act of mercy, and an act of self-defense.
HELPED are those who love the entire cosmos rather than their own tiny country, city, or farm, for to them will be shown the unbroken web of life and the meaning of infinity.
It has become a common feeling, I believe, as we have watched our heroes falling over the years, that our own small stone of activism, which might not seem to measure up to the rugged boulders of heroism we have so admired, is a paltry offering toward the building of an edifice of hope. Many who believe this choose to withhold their offerings out of shame. This is the tragedy of the world. For we can do nothing substantial toward changing our course on the planet, a destructive one, without rousing ourselves, individual by individual, and bringing our small, imperfect stones to the pile.
I am an elder, and I am delighted to be an elder. I would like to exhibit [and] explore it more - what an elder could mean in this time. But, I'd like to show that elders are good for us - that they can be good for us.
For me, writing has always come out of living a fairly to-the-bone kind of life, just really being present to a lot of life. The writing has been really a byproduct of that.
Creation is a sustained period of bliss, even though the subject can still be very sad. Because there's the triumph of coming through and understanding that you have, and that you did it the way only you could do it. You didn't do it the way somebody told you to do it. You did it just the way you had to do it, and that is what makes us us.
Odinary people don't have a feeling of being loved by the people who manage to get into positions of leadership. They get in there, they make a lot of money, and then they play games with us.