There is a longing for a return to a time without the need for choices, free of the regret at the inevitable loss that all choice (however wonderful) has entailed.
The inability to live in the present lies in the fear of leaving the sheltered position of anticipation or memory, and so of admitting that this is the only life that one is ever likely (heavenly intervention aside) to live.
Man seems merely dust postponed: the sublime as an encounter - pleasurable, intoxicating, even - with human weakness in the face of strength, age and size of the universe.
Her lie was symptomatic of a certain pride she took in mocking the romantic, in being unsentimental, matter-of-fact, stoic; yet at heart she was the oppo site: idealistic, dreamy, giving, and deeply attached to everything she liked verbally to dismiss as "mushy.
I thought about societies where exceptional fortunes are built up in industries with very little connection to out sincere and significant needs, industries where it is difficult to escape from the disparity between a seriousness of means and a triviality of ends.
We depend on our surroundings obliquely to embody the moods and ideas we respect and then to remind us of them. We look to our buildings to hold us, like a kind of psychological mould, to a helpful vision of ourselves. We arrange around us material forms which communicate to us what we need — but are at constant risk of forgetting what we need — within. We turn to wallpaper, benches, paintings and streets to staunch the disappearance of our true selves.
One wants never to give up this crystalline perspective. One wants to keep counterpositioning home with what one knows of alternative realities, as they exist in Tunis or Hyderabad. One wants never to forget that nothing here is normal, that the streets are different in Wisebaden, and Louyang, that this is just one of many possible worlds.
The dream of the news is that it makes us care about other people and situations. But we cannot identify with people to whom we haven't been introduced. Humans will only respond to art, to people who are skilled in making you care.