There is no country in the world where machinery is so lovely as in America. It was not until I had seen the water-works at Chicago that I realised the wonders of machinery; the rise and fall of the steel rods, the symmetrical motion of the great wheels is the most beautiful rhythmic thing I have ever seen.
I have forgiven myself; I'll make a change. Once that forgiveness has taken place you can console yourself with the knowledge that a diamond is the result of extreme pressure. Less pressure is crystal, less than that is coal, less than that is fossilized leaves or plain dirt. Pressure can change you into something quite precious, quite wonderful, quote beautiful and extremely hard.
Yet, she said to herself, form the dawn of time odes have been sung to love; wreaths heaped and roses; and if you asked nine people out of ten they would say they wanted nothing but this--love; while the women, judging from her own experience, would all the time be feeling, This is not what we want; there is nothing more tedious, puerile, and inhumane than this; yet it is also beautiful and necessary.
We are certainly influenced by role models, and if we are surrounded by images of beautiful rich people, we will start to think that to be beautiful and rich is very important - just as in the Middle Ages, people were surrounded by images of religious piety.
Like a beautiful flower, full of colour, but without scent, are wise words when spoken, but fruitless these words are when not carried out by the speaker.
Tis the perception of the beautiful, A fine extension of the faculties, Platonic, universal, wonderful, Drawn from the stars, and filtered through the skies, Without which life would be extremely dull
We need objects to remind us of the commitments we've made. That carpet from Morocco reminds us of the impulsive, freedom-loving side of ourselves we're in danger of losing touch with. Beautiful furniture gives us something to live up to. All designed objects are propaganda for a way of life.
Man demands truth and fulfills this demand in moral intercourse with other men; this is the basis of all social life. One anticipates the unpleasant consequences of reciprocal lying. From this there arises the duty of truth. We permit epic poets to lie because we expect no detrimental consequences in this case. Thus the lie is permitted where it is considered something pleasant. Assuming that it does no harm, the lie is beautiful and charming.
Why are we worn out? Why do we, who start out so passionate, brave, noble, believing, become totally bankrupt by the age of thirty or thirty-five? Why is it that one is extinguished by consumption, another puts a bullet in his head, a third seeks oblivion in vodka, cards, a fourth, in order to stifle fear and anguish, cynically tramples underfoot the portrait of his pure, beautiful youth? Why is it that, once fallen, we do not try to rise, and, having lost one thing, we do not seek another? Why?
A beautiful person among the Greeks, was thought to betray by this sign some secret favor of the immortal gods; and we can pardonpride, when a woman possesses such a figure that wherever she stands, or moves, or leaves a shadow on the wall, or sits for a portrait to the artist, she confers a favor on the world.
For the moon never beams without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise but I feel the bright eyes Of the beautiful Annabel Lee; And so, all the night-tide, I lie down by the side Of my darling- my darling- my life and my bride, In the sepulchre there by the sea, In her tomb by the sounding sea.
Perhaps because the origins of a certain kind of love lie in an impulse to escape ourselves and out weaknesses by an alliance with the beautiful and noble. But if the loved ones love us back, we are forced to return to ourselves, and are hence reminded of the things that had driven us into love in the first place. Perhaps it was not love we wanted after all, perhaps it was simply someone in whom to believe, but how can we continue to believe the the beloved now that they believe in us?