The personality of the artist, at first a cry or a cadence or a mood and then a fluid, and lambent narrative, finally refines itself out of existence, impersonalises itself, so to speak. The aesthetic image in the dramatic form is life purified in and reprojected from the human imagination. The mystery of aesthetic like that of material creation is accomplished. The artist, like the God of the creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.
The swift December dusk had come tumbling clownishly after its dull day and, as he stared through the dull square of the window of the schoolroom, he felt his belly crave for its food. He hoped there would be stew for dinner, turnips and carrots and bruised potatoes and fat mutton pieces to be ladled out in thick peppered flourfattened sauce. Stuff it into you, his belly counselled him.
She respected her husband in the same way as she respected the General Post Office, as something large, secure and fixed: and though she knew the small number of his talents she appreciated his abstract value as a male.
The end he had been born to serve yet did not see had led him to escape by an unseen path and now it beckoned to him once more and a new adventure was about to be opened to him.
His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead.
Some people believe that we go on living in another body after death, that we lived before. They call it reincarnation. That we all lived before on the earth thousands of years ago or on some other planet. They say we have forgotten it. Some say they remember their past lives.
Love (understood as the desire of good for another) is in fact so unnatural a phenomenon that it can scarcely repeat itself the soul being unable to become virgin again and not having energy enough to cast itself out again into the ocean of another s soul.