And that must end us, that must be our cure: To be no more. Sad cure! For who would lose, Though full of pain, this intellectual being, Those thoughts that wander through eternity, To perish, rather, swallowed up and lost In the wide womb of uncreated night Devoid of sense and motion?
I died for beauty but was scarce Adjusted in the tomb, When one who died for truth was lain In an adjoining room. He questioned softly why I failed? "For beauty," I replied. "And I for truth, the two are one; We brethren are," he said. And so, as kinsmen met a night, We talked between the rooms, Until the moss had reached our lips, And covered up our names.
The intellect,-that is miraculous! Who has it, has the talisman: his skin and bones, though they were of the color of night, are transparent, and the everlasting stars shine through, with attractive beams.
While Michael Angelo's Sistine roof,
His "Morning" and his "Night" disclose
How sinew that has been pulled tight,
Or it may be loosened in repose,
Can rule by supernatural right
Yet be but sinew.
Now hollow fires burn out to black,
And lights are fluttering low:
Square your shoulders, lift your pack
And leave your friends and go.
O never fear, lads, naught's to dread,
Look not to left nor right:
In all the endless road you tread
There's nothing but the night.
Fairies, black, grey, green, and white,
You moonshine revellers, and shades of night,
You orphan heirs of fixed destiny,
Attend your office and your quality.
At 15 I auditioned for 42nd Street in Australia. Dein Perry was in that show. I actually got the job but I couldn't do it because I was only 15. Legally I needed to have another 15-year-old to cover consecutive nights.
GLOUCESTER: I do not know that Englishman alive With whom my soul is any jot at odds, More than the infant that is born to-night: I thank my God for my humility.