Who would condescend to strike down the mere things that he does not fear? Who would debase himself to be merely brave, like any common prizefighter? Who would stoop to be fearless--like a tree? Fight the thing that you fear. You remember the old tale of the English clergyman who gave the last rites to the brigand of Sicily, and how on his death-bed the great robber said, 'I can give you no money, but I can give you advice for a lifetime: your thumb on the blade, and strike upwards.' So I say to you, strike upwards, if you strike at the stars.
You look at a star for two reasons, because it is luminous, and because it is impenetrable. You have beside you a sweeter radiance and a greater mystery, woman.
When you feel expansion of your consciousness, that is the most ecstatic experience possible, because suddenly you are the whole universe. Stars are within you. The sun rises within you and sets within you. The earth moves within you. The flowers blossom within you.
Château and hut, stone face and dangling figure, the red stain on the stone floor, and the pure water in the village well-thousands of acres of land-a whole province of France-all France itself-lay under the night sky, concentrated into a faint hairbreadth line. So does a whole world, with all its greatnesses and littlenesses, lie in a twinkling star.
. . . for until that God who rules all the region of the sky . . . has freed you from the fetters of your body, you cannot gain admission here. Men were created with the understanding that they were to look after that sphere called Earth, which you see in the middle of the temple. Minds have been given to them out of the eternal fires you call fixed stars and planets, those spherical solids which, quickened with divine minds, journey through their circuits and orbits with amazing speed.
I lost a world the other day. Has anybody found? You'll know it by the rows of stars around it's forehead bound. A rich man might not notice it; yet to my frugal eye of more esteem than ducats. Oh! Find it, sir, for me!
Why who makes much of a miracle? As to me I know nothing else but miracles, whether they be animals feeding in the fields, Or, birds, or the wonderfulness of insects in the air, Or the wonderfulness of the sundown, or of stars shining so quiet and bright, Or the exquisite delicate thin curve of the new moon in spring; These, with the rest, one and all, are to me, miracles.
Night is a dead monotonous period under a roof; but in the open world it passes lightly, with its stars and dews and perfumes, and the hours are marked by changes in the face of Nature. What seems a kind of temporal death to people choked between walls and curtains, is only a light and living slumber to the man who sleeps afield.
Who shall blame him? Who will not secretly rejoice when the hero puts his armour off, and halts by the window and gazes at his wife and son, who, very distant at first, gradually come closer and closer, till lips and book and head are clearly before him, though still lovely and unfamiliar from the intensity of his isolation and the waste of ages and the perishing of the stars, and finally putting his pipe in his pocket and bending his magnificent head before her—who will blame him if he does homage to the beauty of the world?
The light, the sky, the water, they were all things you looked *through* during the day. At night, they were things you looked *into*. You looked *into* the stars, you looked *into* dark rollers and the surprising platinum flash of their caps.
In this way, his unhappy soul struggled with its anguish. Eighteen hundred years before this unfortunate man, the mysterious Being, in whom all the sanctities and all the sufferings of humanity come together, He too, while the olive trees trembled in the fierce breath of the Infinite, had brushed away the fearful cup that appeared before him, streaming with shadow and running over with darkness, in the star-filled depths. (pg. 236)
The pale stars are gone! For the sun, their swift shepherd, To their folds them compelling, In the depths of the dawn, Hastes, in meteor-eclipsing array, and the flee Beyond his blue dwelling, As fawns flee the leopard.
In every landscape, the point of astonishment is the meeting of the sky and the earth, and that is seen from the first hillock aswell as from the top of the Alleghanies. The stars at night stoop down over the brownest, homeliest common, with all the spiritual magnificence which they shed on the Campagna, or on the marble deserts of Egypt.
Science boasts of the distance of its stars; of the terrific remoteness of the things of which it has to speak. But poetry and religion always insist upon the proximity, the almost menacing closeness of the things with which they are concerned. Always the Kingdom of Heaven is "At Hand."