To endure the pain of living, we all drug ourselves more or less with gin, with literature, with superstitions, with romance, with idealism, political, sentimental, and moral, with every possible preparation of that universal hashish: imagination.
O summer day beside the joyous sea!
O summer day so wonderful and white,
So full of gladness and so full of pain!
Forever and forever shalt thou be
To some the gravestone of a dead delight,
To some the landmark of a new domain.
Life is as dear to a mute creature as it is to man. Just as one wants happiness and fears pain, just as one wants to live and not die, so do other creatures.
Art serves us best precisely at that point where it can shift our sense of what is possible, when we know more than we knew before, when we feel we have - by some manner of a leap - encountered the truth. That, by the logic of art, is always worth the pain.
Hope is a decision we make, a choice to believe that God can take the adversity, the disappointment, the heartache, and the pain of our journeys and use these to accomplish his purposes.
If an enthusiastic, ardent, and ambitious man marry a wife on whose name there is a stain, which, though it originate in no fault of hers, may be visited by cold and sordid people upon her, and upon his children also: and, in exact proportion to his success in the world, be cast in his teeth, and made the subject of sneers against him: he may, no matter how generous and good his nature, one day repent of the connection he formed in early life; and she may have the pain and torture of knowing that he does so.
Lack of understanding of the true nature of happiness, it seems to me, is the principal reason why people inflict sufferings on others. They think either that the other's pain may somehow be a cause of happiness for themselves or that their own happiness is more important, regardless of what pain it may cause. But this is shortsighted. No one truly benefits from causing harm to another sentient being. . . . . In the long run causing others misery and infringing their rights to peace and happiness result in anxiety, fear, and suspicion within oneself.
Technique is really personality. That is the reason why the artist cannot teach it, why the pupil cannot learn it, and why the aesthetic critic can understand it. To the great poet, there is only one method of music - his own. To the great painter, there is only one manner of painting - that which he himself employs. The aesthetic critic, and the aesthetic critic alone, can appreciate all forms and all modes. It is to him that Art makes her appeal.
Therein lies the defect of revenge: it's all in the anticipation; the thing itself is a pain, not a pleasure; at least the pain is the biggest end of it.
I feel my immortality over sweep all pains, all tears, all time, all fears, - and peal, like the eternal thunders of the deep, into my ears, this truth, - thou livest forever!
I am always willing to run some hazard of being tedious, in order to be sure that I am perspicuous; and, after taking the utmost pains that I can to be perspicuous, some obscurity may still appear to remain upon a subject, in its own nature extremely abstracted.
Pleasure is never as pleasant as we expected it to be and pain is always more painful. The pain in the world always outweighs the pleasure. If you don't believe it, compare the respective feelings of two animals, one of which is eating the other.