All classes in proportion to their lack of travel and familiarity with foreign literature are bellicose, prejudiced against foreigners, fond of fighting as a cruel sport - in short, dog-like in their notions of foreign policy.
Only in the problem play is there any real drama, because drama is no mere setting up of the camera to nature: it is the presentation in parable of the conflict between Man's will and his environment: in a word, of problem.