A day's work is a day's work, neither more nor less, and the man or woman who does it needs a day's sustenance, a night's repose and due leisure, whether they be painter or ploughman.
The notion that Nature does not proceed by jumps is only one of the budget of plausible lies that we call classical education. Nature always proceeds by jumps. She may spend twenty thousand years making up her mind to jump; but when she makes it up at last, the jump is big enough to take us into a new age.
Fine art is the subtlest, the most seductive, the most effective instrument of moral propaganda in the world, excepting only the example of personal conduct; and I waive even this exception in favor of the art of the stage, because it works by exhibiting examples of personal conduct made intelligible and moving to crowds of unobservant unreflecting people to whom real life means nothing.
But whether the risks to which liberty exposes us are moral or physical our right to liberty involves the right to run them. A man who is not free to risk his neck as an aviator or his soul as a heretic is not free at all; and the right to liberty begins, not at the age of 21 years but 21 seconds.
An Englishman does everything on principle: he fights you on patriotic principles; he robs you on business principles; he enslaves you on imperial principles.
Man is unique in that he has plans, purpose and goals which require the need for criteria of choice. The need for ethical value is within man whose future may largely be determined by the choice he make