Only in the problem play is there any real drama, because drama is no mere setting up of the camera to nature: it is the presentation in parable of the conflict between Man's will and his environment: in a word, of problem.
My opportunities were still there, nay, they multiplied tenfold; but the strength and youth to cope with them began to fail, and to need eking out with the shifty cunning of experience.
Even to this day it is easier than it ought to be for me to get a rise out of an American by telling him something about himself which is equally true about every human being on the face of the globe. He at once resents this as a disparagement and an assertion on my part that people in other parts of the globe are not like that, and are loftily superior to such weaknesses.
The open mind never acts: when we have done our utmost to arrive at a reasonable conclusion, we still must close our minds for the moment with a snap, and act dogmatically on our conclusions.
After studying the Hungarian language for years, I can confidently conclude that had Hungarian been my mother tongue, it would have been more precious. Simply because through this extraordinary, ancient and powerful language it is possible to precisely describe the tiniest differences and the most secretive tremors of emotions.
Every child has a right to its own bent. . . . It has a right to find its own way and go its own way, whether that way seems wise or foolish to others, exactly as an adult has. It has a right to privacy as to its own doings and its own affairs as much as if it were its own father.
Men get tired of everything, of heaven no less than of hell; and that all history is nothing but a record of the oscillations of the world between these two extremes. An epoch is but a swing of the pendulum; and each generation thinks the world is progressing because it is always moving.
A pornographic novelist is one who exploits the sexual instinct as a prostitute does. A legitimate sex novel elucidates it or brings out its poetry, tragedy, or comedy.