Keep it simple: In general, interfaces should use simple geometric forms, minimal contours, and a restricted color palette comprised primarily of less-saturated or neutral colors balanced with a few high contrast accent colors that emphasize important information. Typography should not vary widely in an interface.
You know, you’re a little complicated after all.” “Oh no,” she assured him hastily. “No, I’m not really - I’m just a - I’m just a whole lot of different simple people.
This is a gift that I have, simple, simple; a foolish extravagant spirit full of forms, figures, shapes, objects, ideas, apprehensions, motions, revolutions; these are begot in the ventricle of memory, nourished in the womb of pia mater, and delivered upon the mellowing of occasion.
A powerful tool in the early stages of developing scenarios is to pretend the interface is magic. If your persona has goals and the product has magical powers to meet them, how simple could the interaction be? This kind of thinking is useful to help designers look outside the box.
Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words. But on the other hand here am I sitting after half the morning, crammed with ideas, and visions, and so on, and can't dislodge them, for lack of the right rhythm. Now this is very profound, what rhythm is, and goes far deeper than any words. A sight, an emotion, creates this wave in the mind, long before it makes words to fit it.
It is fatal to be a man or woman pure and simple; one must be woman-manly or man-womanly. It is fatal for a woman to lay the least stress on any grievance; to plead even with justice any cause; in any way to speak consciously as a woman. And fatal is no figure of speech; for anything written with that conscious bias is doomed to death. It ceases to be fertilized.
All the things I thought I was - simple and plain and sometime funny - are very small words. They do not begin to describe me. They do not begin to express what is inside of me. I have value, and I have worth. I cannot be replaced like old shoes or taken for granted like tap water.
I don't believe any more in democracy. But I can't believe in the old sort of aristocracy, either, nor can I wish it back, splendid as it was. What I believe in is the old Homeric aristocracy, when the grandeur was inside a man, and he lived in a simple wooden house.