Just as the orator marks his good things by a dramatic pause, or by raising and lowering his voice, or by gesture, so the writer marks his epigrams with italics, setting the little gem, so to speak, like a jeweler.
The public has always, and in every age, been badly brought up. They are continually asking Art to be popular, to please their want of taste, to flatter their absurd vanity, to tell them what they have been told before, to show them what they ought to be tired of seeing, to amuse them when they feel heavy after eating too much, and to distract their thoughts when they are wearied of their own stupidity.
I have pleasures, and passions, but the joy of life is gone. I am going under: the morgue yawns for me. I go and look at my zinc-bed there. After all, I had a wonderful life, which is, I fear, over.
"There is no such thing as a good influence, Mr. Gray. All influence is immoral — immoral from the scientific point of view." "Why?" "Because to influence a person is to give him one's own soul."
In art, the public accept what has been, because they cannot alter it, not because they appreciate it. They swallow their classics whole, and never taste them.
Society, as we have constituted it, will have no place for me, has none to offer; but Nature, whose sweet rains fall on unjust and just alike, will have clefts in the rocks where I may hide, and secret valleys in whose silence I may weep undisturbed. She will hang the night with stars so that I may walk abroad in the darkness without stumbling, and send the wind over my footprints so that none may track me to my hurt: she will cleance me in the great waters, and with bitter herbs make me whole.