There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make one almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie.
Life is not governed by will or intention. Life is a question of nerves, and fibres, and slowly built-up cells in which thought hides itself and passion has its dreams.
Ethics, like natural selection, make existence possible. Aesthetics, like sensual selection, make life lovely and wonderful, fill it with new forms, and give it progress, and variety and change.
We become lovers when we see Romeo and Juliet, and Hamlet makes us students. The blood of Duncan is upon our hands, with Timon werage against the world, and when Lear wanders out upon the heath the terror of madness touches us. Ours is the white sinlessness of Desdemona, and ours, also, the sin of Iago.
But whether I become a believer or remain an agnostic, my belief or disbelief must derive its source from within, not from without. I, myself, must create its symbols. The transcendental is that which produces its own form. I will never discover its secret if I do not find it in my own heart; if I do not possess it already I shall never be able to acquire it.
People sometimes inquire what form of government is most suitable for an artist to live under. To this question there is only one answer. The form of government that is most suitable to the artist is no government at all.