Every man of ambition has to fight his century with its own weapons. What this century worships is wealth. The God of this century is wealth. To succeed one must have wealth. At all costs one must have wealth.
I played with an idea, and grew willful; tossed it into the air; transformed it; let it escape and recaptured it; made it iridescent with fancy, and winged it with paradox.
After playing Chopin, I feel as if I had been weeping over sins that I had never committed, and mourning over tragedies that were not my own. Music always seems to me to produce that effect. It creates for one a past of which one has been ignorant, and fills one with a sense of sorrows that have been hidden from one’s tears.
All modes of government are failures. Despotism is unjust to everybody, including the despot, who was probably made for better things. Oligarchies are unjust to the many, and ochlocracies are unjust to the few. High hopes were once formed of democracy; but democracy means simply the bludgeoning of the people by the people for the people. It has been found out. I must say that it was high time, for all authority is quite degrading. It degrades those who exercise it, and degrades those over whom it is exercised.
I am but too conscious of the fact that we are born in an age when only the dull are treated seriously, and I live in terror of not being misunderstood.
Tell the cook of this restaurant with my compliments that these are the very worst sandwiches in the whole world, and that, when I ask for a watercress sandwich, I do not mean a loaf with a field in the middle of it.
The Bostonians take their learning too sadly: culture with them is an accomplishment rather than an atmosphere; their "Hub," as they call it, is the paradise of prigs.
Dear little Swallow,’ said the Prince, ‘you tell me of marvelous things, but more marvelous than anything is the suffering of men and of women. There is no Mystery so great as Misery.
In fact, the whole of Japan is a pure invention. There is no such country, there are no such people.... The Japanese people are ... simply a mode of style, an exquisite fancy of art.
Temperament is the primary requisite for the critic - a temperament exquisitely susceptible to beauty, and to the various impressions that beauty gives us.