I knew Bobby Dylan back in the days when he lived in the village. He used to come and see me and sing songs for me, saying they ought to go into my next collected book on American folk music.
Lords, I protest my soul is full of woe
That blood should sprinkle me to make me grow.
Come, mourn with me for what I do lament,
And put sullen black incontinent.
I'll make a voyage to the Holy Land
To wash this blood off from my guilty hand.
March sadly after. Grace my mournings here
In weeping after this untimely bier.
A lover goes toward his beloved as enthusiastically as a schoolboy leaving his books, but when he leaves his girlfriend, he feels as miserable as the schoolboy on his way to school. (Act 2, scene 2)
It doesn't matter that your painting is small. Kopecks are also small, but when a lot are put together they make a ruble. Each painting displayed in a gallery and each good book that makes it into a library, no matter how small they may be, serve a great cause: accretion of the national wealth.
I started writing as a child. But I didn't think of myself, actually writing until I was in college. And I had gone to Africa as a sophomore or something, no maybe junior and wrote a book of poems. And that was my beginning. I published that book.
Your face, my thane, is as a book where men May read strange matters. To beguile the time, Look like the time; bear welcome in your eye, Your hand, your tongue: look like the innocent flower, But be the serpent under't.
For a true writer each book should be a new beginning where he tries again for something that is beyond attainment. He should always try for something that has never been done or that others have tried and failed. Then sometimes, with great luck, he will succeed.
My depth of purse is not so great
Nor yet my bibliophilic greed,
That merely buying doth elate:
The books I buy I like to read:
Still e'en when dawdling in a mead,
Beneath a cloudless summer sky,
By bank of Thames, or Tyne, or Tweed,
The books I read — I like to buy.
At some point, I would like to write a book and other things, but I work best when there is some sort of deadline in my own mind, but not when fifty people or fifty million people are breathing down the back of my neck.
And I despise your books, I despise wisdom and the blessings of this world. It is all worthless, fleeting, illusory, and deceptive, like a mirage. You may be proud, wise, and fine, but death will wipe you off the face of the earth as though you were no more than mice burrowing under the floor, and your posterity, your history, your immortal geniuses will burn or freeze together with the earthly globe.
A colleague once described political theorists as people who were obsessed with two dozen books; after half a century of grappling with Mill's essay On Liberty, or Hobbes's Leviathan, I have sometimes thought two dozen might be a little on the high side.