This blessèd plot, this earth, this realm, this England
This nurse, this teeming womb of royal kings,
. . .
This land of such dear souls, this dear dear land.
There are some monuments where the land is so widespread, they just encompass as much as possible. And the integral part of the - the precious part, so to speak - I guess all land is precious, but the part that the people uniformly would not want to spoil, will not be despoiled. But there are parts of the monument lands where we can explore without affecting the overall environment.
A map of the world that does not include Utopia is not worth even glancing at, for it leaves out the one country at which Humanity is always landing. And when Humanity lands there, it looks out, and, seeing a better country, sets sail. Progress is the realisation of Utopias.
I do think that there is a big difference between family farms and agri-business, and one of the distressing things that I think has occurred is with consolidation of farm lands. You've seen large agri-businesses benefit from enormous profits from existing farm programs, and I think we should be focusing most of those programs on those family farmers.
[On The Waste Land:] Various critics have done me the honor to interpret the poem in terms of criticism of the contemporary world, have considered it, indeed, as an important bit of social criticism. To me it was only the relief of a personal and wholly insignificant grouse against life; it is just a piece of rhythmical grumbling.
Without looking, then, to those extraordinary social influences which are now acting in precisely this direction, but only at whatis inevitably doing around us, I think we must regard the land as a commanding and increasing power on the citizen, the sanative and Americanizing influence, which promises to disclose new virtues for ages to come.
All things can tempt me from this craft of verse:
One time it was a woman's face, or worse--
The seeming needs of my fool-driven land;
Now nothing but comes readier to the hand
Than this accustomed toil.
I am excessively fond of a cottage; there is always so much comfort, so much elegance about them. And I protest, if I had any money to spare, I should buy a little land and build one myself, within a short distance of London, where I might drive myself down at any time, and collect a few friends about me and be happy. I advise everybody who is going to build, to build a cottage.
People were saying that Southern folk song was dead, that the land that had produced American jazz, the blues, the spirituals, the mountain ballads and the work songs had gone sterile.
The sceptics, a kind of nomads, despising all settled culture of the land, broke up from time to time all civil society. Fortunately their number was small, and they could not prevent the old settlers from returning to cultivate the ground afresh, though without any fixed plan or agreement.
Every spirit builds itself a house; and beyond its house a world; and beyond its world, a heaven. Know then, that the world exists for you. For you is the phenomenon perfect. What we are, that only can we see. All that Adam had, all that Caesar could, you have and can do. Adam called his house, heaven and earth; Caesar called his house, Rome; you perhaps call yours, a cobler's trade; a hundred acres of ploughed land; or a scholar's garret. Yet line for line and point for point, your dominion is as great as theirs, though without fine names. Build, therefore, your own world.