If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing.
She let him come further, his lips came and surging, surging, soft, oh soft, yet on, like the powerful surge of water, irresistible, till with a little blind cry, she broke away.
Imagine a limitless expanse of water: above and below, before and behind, right and left, everywhere there is water. In that water is placed a jar filled with water. There is water inside the jar and water outside, but the jar is still there. The 'I' is the jar.
Too much of water hast thou, poor Ophelia, And therefore I forbid my tears: But yet It is our trick; nature her custom holds, Let shame say what it will: when these are gone, The woman will be out. — Adieu, my lord! I have a speech of fire, that fain would blaze, But that this folly drowns it.