A heap of broken images, where the sun beats, And the dead tree gives no shelter, the cricket no relief, And the dry stone no sound of water. Only There is shadow under this red rock, (Come in under the shadow of this red rock), And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you; I will show you fear in a handful of dust.
While Michael Angelo's Sistine roof,
His "Morning" and his "Night" disclose
How sinew that has been pulled tight,
Or it may be loosened in repose,
Can rule by supernatural right
Yet be but sinew.
She didn't give George any too easy a time when she was alive. She was one of those semi-invalids – I believe she had really something wrong with her, but whatever it was she played it for all it was worth. She was capricious, exacting, unreasonable. She complained from morning to night. George was expected to wait on her, hand and foot and everything he did was always wrong and he got cursed for it. Most men, I'm fully convinced, would have hit her with a hatchet long ago.
Bell, thou soundest merrily, When the bridal party To the church doth hie! Bell, thou soundest solemnly, When, on Sabbath morning, Fields deserted lie!
A heap of broken images, where the sun beats, And the dead tree gives no shelter, the cricket no relief, And the dry stone no sound of water. Only There is shadow under this red rock, (Come in under the shadow of this red rock), And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you; I will show you fear in a handful of dust.
In the spring mornings I would work early while my wife still slept. The windows were open wide and the cobbles of the street were drying after the rain.
Three o'clock in the morning. The soft April night is looking at my windows and caressingly winking at me with its stars. I can't sleep, I am so happy.
A heap of broken images, where the sun beats, And the dead tree gives no shelter, the cricket no relief, And the dry stone no sound of water. Only There is shadow under this red rock, (Come in under the shadow of this red rock), And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you; I will show you fear in a handful of dust.
A very elementary exercise in psychology, not to be dignified by the name of psycho-analysis, showed me, on looking at my notebook, that the sketch of the angry professor had been made in anger. Anger had snatched my pencil while I dreamt. But what was anger doing there? Interest, confusion, amusement, boredom--all these emotions I could trace and name as they succeeded each other throughout the morning. Had anger, the black snake, been lurking among them? Yes, said the sketch, anger had.
The Italians are fond of red clothes, peacock plumes, and embroidery; and I remember one rainy morning in the city of Palermo, the street was ablaze with scarlet umbrellas.
The word unto the prophet spoken Was writ on tablets yet unbroken: The word by seers or sibyls told, In groves of oak or fanes of gold, Still floats upon the morning wind, Still whispers to the willing mind.
This City now doth like a garment wear The beauty of the morning; silent, bare, Ships, towers, domes, theatres and temples lie Open unto the fields and to the sky; All bright and glittering in the smokeless air.
And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you I will show you fear in a handful of dust