The mystery of the evening-star brilliant in silence and distance between the downward-surging plunge of the sun and the vast, hollow seething of inpouring night. The magnificence of the watchful morning-star, that watches between the night and the day, the gleaming clue to the two opposites.
When the first-rate author wants an exquisite heroine or a lovely morning, he finds that all the superlatives have been worn shoddy by his inferiors. It should be a rule that bad writers must start with plain heroines and ordinary mornings, and, if they are able, work up to something better.
I was almost persuaded to be a Christian. I thought I never again could be thoughtless and worldly. But I soon forgot my morning prayer or else it was irksome to me. One by one my old habits returned and I cared less for religion than ever.
I confess . . . that I am not myself very much concerned with the question of influence, or with those publicists who have impressed their names upon the public by catching the morning tide and rowing very vast in the direction in which the current was flowing; but rather that there should always be a few writers preoccupied in penetrating to the core of the matter, in trying to arrive at the truth and to set it forth, without too much hope, without ambition to alter the immediate course of affairs, and without being downcast or defeated when nothing appears to ensue.
The morning breaks; the steeds in their stalls
Stamp and neigh, as the hostler calls;
The day returns, but nevermore
Returns the traveler to the shore,
And the tide rises, the tide falls.
Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words. But on the other hand here am I sitting after half the morning, crammed with ideas, and visions, and so on, and can't dislodge them, for lack of the right rhythm. Now this is very profound, what rhythm is, and goes far deeper than any words. A sight, an emotion, creates this wave in the mind, long before it makes words to fit it.
This morning arrives a letter from my ancient silver-mining comrade, Calvin H. Higbie, a man whom I have not seen nor had communication with for forty-four years. . . . [Footnote: Roughing It is dedicated to Higbie.] . . . I shall allow myself the privilege of copying his punctuation and his spelling, for to me they are a part of the man. He is as honest as the day is long. He is utterly simple-minded and straightforward, and his spelling and his punctuation are as simple and honest as he is himself. He makes no apology for them, and no apology is needed.
For it is only habit and memory that dulls the physical passion. Without memory, each night is the first night, each morning is the first morning, each kiss and touch are the first.
Tis a morning pure and sweet, And a dewy splendour falls On the little flower that clings To the turrets and the walls; 'Tis a morning pure and sweet, And the light and shadow fleet; She is walking in the meadow, And the woodland echo rings; In a moment we shall meet; She is singing in the meadow, And the rivulet at her feet Ripples on in light and shadow To the ballad that she sings.