Like a pianist runs her fingers over the keys, I'll search my mind for what to say. Now, the poem may want you to write it. And then sometimes you see a situation and think, 'I'd like to write about that.' Those are two different ways of being approached by a poem, or approaching a poem.
My mother had said me, "All right, you've been raised, so don't let anybody else raise you. You know the difference between right and wrong. Do right. And remember - you can always come home." And she continued to liberate me until she died. On the night she died, I went to the hospital. I told my mom, "Let me tell you about yourself. You deserved a great daughter, and you got one. And you liberated me to be one. So if it's time for you to go, you may have done everything God brought you here to do."
I believe that one can never leave home. I believe that one carries the shadows, the dreams, the fears and the dragons of home under one's skin, at the extreme corners of one's eyes and possibly in the gristle of the earlobe.
If you must look back, do so forgivingly. If you will look forward, do so prayerfully. But the wisest course would be to be present in the present gratefully.
You know, I never trust people who don't laugh, who said, "I am serious" and act as if they put airplane glue on the back of their hands and stuck the glue to their foreheads. I think, "You're not serious; you're boring as hell."
My entire stay there [high school] might have been time lost if it hadn't been for the unique personality of a brilliant teacher. Miss Kirwin was that rare educator who was in love with information. I will always believe that her love of teaching came not so much from her liking for students but from her desire to make sure that some of the things she knew would find repositories so that they could be shared again.
Easy reading is damn hard writing. But if it's right, it's easy. It's the other way round, too. If it's slovenly written, then it's hard to read. It doesn't give the reader what the careful writer can give the reader.
It's still scary every time I go back to the past. Each morning, my heart catches. When I get there, I remember how the light was, where the draft was coming from, what odors were in the air. When I write, I get all the weeping out.
That knowledge humbles me, melts my bones, closes my ears, and makes my teeth rock loosely in their gums. And it also liberates me. I am a big bird winging over high mountains, down into serene valleys. I am ripples of waves on silver seas. I'm a spring leaf trembling in anticipation.