The question, O me! so sad, recurring - What good amid these, O me, O life? That you are here - that life exists and identity, that the powerful play goes on, and you may contribute a verse.
As for me, I know nothing else but miracles,
Whether I walk the streets of Manhattan,
Or dart my sight over the roofs of houses toward the sky,
Or wade with naked feet along the beach just in the edge of the water,
Or stand under the trees in the woods,
Or talk by day with any one I love,
Or sleep in bed at night with any one I love,
Or watch honey bees busy around the hive of a summer forenoon...
Or the wonderfulness of the sundown,
Or of stars shining so quiet and bright,
Or the exquisite delicate thin curve of the new moon in spring...
What stranger miracles are there?
When I undertake to tell the best, I find I cannot. My tongue is ineffectual on its pivots, My breath will not be obedient to its organs, I become a dumb man.
I am the poet of the woman the same as the man, And I say it is as great to be a woman as to be a man, And I say there is nothing greater than the mother of a man.
I do not doubt but the majest and beauty of the world are latent
in any iota of the world;
I do not doubt there is far more in trivialities, insects,
vulgar persons, slaves, dwarfs, weeds, rejected refuse than
I have supposed.
Are you the new person drawn toward me? To begin with, take warning - I am surely far different from what you suppose; Do you suppose you will find in me your ideal? Do you think it so easy to have me become your lover? Do you think the friendship of me would be unalloy'd satisfaction? Do you think I am trusty and faithful? Do you see no further than this façade—this smooth and tolerant manner of me? Do you suppose yourself advancing on real ground toward a real heroic man? Have you no thought, O dreamer, that it may be all maya, illusion?
The process of reading is not a half sleep, but in the highest sense, an exercise, a gymnast's struggle: that the reader is to do something for him or herself, must be on the alert, just construct indeed the poem, argument, history, metaphysical essay--the text furnishing the hints, the clue, the start, the framework.
The greatest country, the richest country, is not that which has the most capitalists, monopolists, immense grabbings, vast fortunes, with its sad, sad soil of extreme, degrading, damning poverty, but the land in which there are the most homesteads, freeholds - where wealth does not show such contrasts high and low, where all men have enough - a modest living- and no man is made possessor beyond the sane and beautiful necessities.
The genius of the United States is not best or most in its executives or legislatures, nor in its ambassadors or authors or colleges, or churches, or parlors, nor even in its newspapers or inventors, but always most in the common people.