Civilization has evolved toward more acceptance, understanding and tolerance of global thinking. If we accept differences, our creativity booms. It makes life much more colorful. It also makes humanity much more safe. If we see pureness somewhere as something to be desired, the trouble starts.
Chinese citizens have never had the right to really express their opinions; in the constitution it says you can, but in the real world it is more dangerous. In the west people think it's a right they're born with. Here it's a right given by the government, and one that's not really practised.
Creativity is the power to reject the past, to change the status quo, and to seek new potential. Simply put, aside from using one's imagination - perhaps more importantly - creativity is the power to act.
I think you can give meaning to any condition; you can be poor or unsuccessful or be so-called successful. But I don't think that it would give an individual human being a better condition.
You only have temporary curiosity, amusement, and challenges, but that does not necessarily mean you are really convinced that it's necessary or that it's not even worth to do it. It's just a way you have to set up some kind of activities to follow your instincts or your curiosities.
Of course, there [in China] has to be chaos. It has to be crazy, and I don't think there's anything wrong about it except this government, which is really incapable of doing anything meaningful.
To work in architecture you are so much involved with society, with politics, with bureaucrats. It's a very complicated process to do large projects. You start to see the society, how it functions, how it works. Then you have a lot of criticism about how it works.
Somehow, we [ Tan Dun and director Chen Kaige] were all privileged at the time; we could be outside of China. But at the moment, we had no sense of what the future was going to be like.