Art is not merely an imitation of the reality of nature, but in truth a metaphysical supplement to the reality of nature, placed alongside thereof for its conquest.
One should adpot only those situations in which one is in no need of sham virtues, but rather, like the tight-rope dancer on his tight rope, in which one must either fall or stand--or escape.
Let them like the Tibetans, chew the cud of their "om mane padme hum" innumerable times, or, as in Benares, count the name of the God Ram-Ram-Ram (etc. with or without charm) on their fingers; or honour Vishnu with his thousand names of invocation, Allah with his ninety-nine; or they may make use of the prayer-wheels and the rosary: the main thing is that they are settled down for a time at this work and are tolerable to look at. This kind of prayer has been invented for the benefit of the pious who have thought and elevations of their own.
Freedom is the will to be responsible for ourselves. It is to preserve the distance which separates us from other men. To grow more indifferent to hardship, to severity, to privation, and even to life itself.
Since men do not really respect anything unless it was established long ago and has developed slowly over time, those who want tokeep on living after their death must take worry not only about their future generations but even more about their past: that is why tyrants of all kinds (including tyrannical artists and politicians) like to do violence to history, so that it will appear as a preparation and stepladder to themselves.
Without art we would be nothing but foreground and live entirely in the spell of that perspective which makes what is closest at hand and most vulgar appear as if it were vast, and reality itself.
The significance of language for the evolution of culture lies in this, that mankind set up in language a separate world beside the other world, a place it took to be so firmly set that, standing upon it, it could lift the rest of the world off its hinges and make itself master of it. To the extent that man has for long ages believed in the concepts and names of things as in aeternae veritates he has appropriated to himself that pride by which he raised himself above the animal: he really thought that in language he possessed knowledge of the world.
It quite often happens that the old man is subject to the delusion of a great moral renewal and rebirth, and from this experience he passes judgments on the work and course of his life, as if he had only now become clear-sighted; and yet the inspiration behind this feeling of well-being and these confident judgements is not wisdom, but weariness .
Carlyle, a man of strong words and attitudes, a rhetorician out of necessity, constantly aroused by the craving for a strong faithas well as by the feeling of an incapacity for it (Min this respect a typical romantic!).... Fundamentally, Carlyle is an English atheist who makes it a point of honor not to be one.
Death. The certain prospect of death could sweeten every life with a precious and fragrant drop of levity- and now you strange apothecary souls have turned it into an ill-tasting drop of poison that makes the whole of life repulsive.