Bell, thou soundest merrily, When the bridal party To the church doth hie! Bell, thou soundest solemnly, When, on Sabbath morning, Fields deserted lie!
There in seclusion and remote from men The wizard hand lies cold, Which at its topmost speed let fall the pen, And left the tale half told. Ah! who shall lift that wand of magic power, And the lost clew regain? The unfinished window in Aladdin's tower Unfinished must remain!
What child has a heart to sing in this capricious clime of ours, when spring comes sailing in from the sea, with wet and heavy cloud-sails and the misty pennon of the east-wind nailed to the mast.
I am more afraid of deserving criticism than of receiving it. I stand in awe of my own opinion. The secret demerits of which we alone, perhaps, are conscious, are often more difficult to bear than those which have been publicly censured in us, and thus in some degree atoned for.
What heart has not acknowledged the influence of this hour, the sweet and soothing hour of twilight, the hour of love, the hour of adoration, the hour of rest, when we think of those we love only to regret that we have not loved them more dearly, when we remember our enemies only to forgive them.
All was ended now, the hope, and the fear and the sorrow,
All the aching of the heart, the restless, unsatisfied longing,
All the dull, deep pain, and constant anguish of patience!
Peace! and no longer from its brazen portals The blast of War's great organ shakes the skies! But beautiful as songs of the immortals, The holy melodies of love arise.
Many people do not allow their principles to take root, but pull them up every now and then, as children do the flowers they have planted, to see if they are growing.
That was the first sound in the song of love!
Scarce more than silence is, and yet a sound.
Hands of invisible spirits touch the strings
Of that mysterious instrument, the soul,
And play the prelude of our fate. We hear
The voice prophetic, and are not alone.