And the small ripple spilt upon the beach Scarcely o'erpass'd the cream of your champagne, When o'er the brim the sparkling bumpers reach, That spring-dew of the spirit! the heart's rain! Few things surpass old wine; and they may preach Who please,—the more because they preach in vain,— Let us have wine and women, mirth and laughter, Sermons and soda-water the day after.
We were doing Scarface many years ago...and I remember having my coffee and looking at the beach, the surf, and I saw a hundred people looking out into the ocean. I thought, what's going on? Did some whale get washed up to shore? So I stood up on the table to see what it was, and it was the director, Brian De Palma, standing there alone by the surf and they were all waiting for him. And I never forgot that because it represented to me what a director is, what a director does.
If we were to lose our fish that we appreciate so much by overfishing; or if we were to lose some of our favorite beaches to overbuilding and pollution, then how would we feel? It's become a case of not knowing what you've got until it's gone.
Shall I part my hair behind Do I dare to eat a peach I shall wear white flannel trousers, and walk upon the beach. I have heard the mermaids singing, each to each. I do not think that they will sing to me.
As for me, I know nothing else but miracles,
Whether I walk the streets of Manhattan,
Or dart my sight over the roofs of houses toward the sky,
Or wade with naked feet along the beach just in the edge of the water,
Or stand under the trees in the woods,
Or talk by day with any one I love,
Or sleep in bed at night with any one I love,
Or watch honey bees busy around the hive of a summer forenoon...
Or the wonderfulness of the sundown,
Or of stars shining so quiet and bright,
Or the exquisite delicate thin curve of the new moon in spring...
What stranger miracles are there?
More wonderful than the lore of old men and the lore of books is the secret lore of the ocean. Blue, green, grey, white, or black; smooth, ruffled, or mountainous; that ocean is not silent. All my days I have watched it and listened to it, and I know it well. At first it told to me only the plain little tales of calm beaches and near ports, but with the years it grew more friendly and spoke of other things; of things more strange and more distant in space and time.
Shall I part my hair behind Do I dare to eat a peach I shall wear white flannel trousers, and walk upon the beach. I have heard the mermaids singing, each to each. I do not think that they will sing to me.
So that the monotonous fall of the waves on the beach, which for the most part beat a measured and soothing tattoo to her thoughts seemed consolingly to repeat over and over again.
Shall I part my hair behind Do I dare to eat a peach I shall wear white flannel trousers, and walk upon the beach. I have heard the mermaids singing, each to each. I do not think that they will sing to me.
The Chinese word Li may therefore be understood as organic order, as distinct from mechanical or legal order, both of which go by the book. Li is the asymmetrical, nonrepetitive, and unregimented order which we find in the patterns of moving water, the form of trees and clouds, of frost crystals on the window, or the scattering of pebbles on beach sand.
More wonderful than the lore of old men and the lore of books is the secret lore of the ocean. Blue, green, grey, white, or black; smooth, ruffled, or mountainous; that ocean is not silent. All my days I have watched it and listened to it, and I know it well. At first it told to me only the plain little tales of calm beaches and near ports, but with the years it grew more friendly and spoke of other things; of things more strange and more distant in space and time.
They took to silence. They touched each other without comment and without progression. A hand on a hand, a clothed arm, resting on an arm. An ankle overlapping an ankle, as they sat on a beach, and not removed. One night they fell asleep, side by side... He slept curled against her back, a dark comma against her pale elegant phrase.
These people, as far as I can see, do not congregate in the notorious centers of the movement, like the North Beach in San Francisco or Greenwich Village, or Venice, California.
And to lose the chance to see frigatebirds soaring in circles above the storm, or a file of pelicans winging their way homeward across the crimson afterglow of the sunset, or a myriad terns flashing in the bright light of midday as they hover in a shifting maze above the beach -- why, the loss is like the loss of a gallery of the masterpieces of the artists of old time.
These people, as far as I can see, do not congregate in the notorious centers of the movement, like the North Beach in San Francisco or Greenwich Village, or Venice, California.
I grew up in an area of a lot of growth, in Orange County, California, and spent most of my youth on the beach. I had witnessed the degradation of our Back Bay and the increased number of closed beach days over the years.