Earth fills her lap with pleasures of her own;
Yearnings she hath in her own natural kind,
And, even with something of a mother's mind,
And no unworthy aim,
The homely nurse doth all she can
To make her foster child, her inmate man,
Forget the glories he hath known
And that imperial palace whence he came.
She was a phantom of delight When first she gleamed upon my sight, A lovely apparition, sent To be a moment's ornament; Her eyes as stars of twilight fair, Like twilights too her dusky hair, But all things else about her drawn From May-time and the cheerful dawn.
Laying out grounds... may be considered as a liberal art, in some sort like poetry and painting.... it is to assist Nature in moving the affections... the affections of those who have the deepest perception of the beauty of Nature.
It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.... They both speak by and to the same organs; the bodies in which both of them are clothed may be said to be of the same substance, their affections are kindred, and almost identical, not necessarily differing even in degree; Poetry sheds no tears "such as Angels weep," but natural and human tears; she can boast of no celestial ichor that distinguishes her vital juices from those of prose; the same human blood circulates through the veins of them both.
He loves not well whose love is bold!
I would not have thee come too nigh.
The sun's gold would not seem pure gold
Unless the sun were in the sky:
To take him thence and chain him near
Would make his beauty disappear.
William Winter, Love's Queen.
The unconquerable pang of despised love.