The thing itself is never just out there in the world waiting to be framed by the photographer's Leica; rather, it is something dynamically produced in the act of representation and reception and already subject to the grids of meaning imposed on it by culture, history, language, and so forth.
If he waits for the ideal moment, he will never set off; he requires a touch of madness to take the next step. The warrior uses that touch of madness. For - in both love and war - it is impossible to foresee everything.
Rude poets of the tavern hearth,
squandering your unquoted mirth,
which keeps the ground, and never soars,
while jake retorts, and reuben roars;
tough and screaming, as birch-bark,
goes like bullet to its mark;
while the solid curse and jeer
never balk the waiting ear.