Dreamlike sequencing is perhaps one of João Gilberto Noll's most remarkable triumphs in Quiet Creature on the Corner. I translated the novel and still it remains a mystery as to how exactly how this works. Noll thinks more like an experimental filmmaker than a novelist.
In the quiet hours when we are alone and there is nobody to tell us what fine fellows we are, we come sometimes upon a moment in which we wonder, not how much money we are earning, nor how famous we have become, but what good we are doing.
I am surprised by the word psychedelic. João Gilberto Noll does not accept realism in a straightforward way, but I am more inclined to call Quiet Creature a realist text than I am to call it a psychedelic one. The transcendent aspect of the psychedelic experience is totally absent.
There is no "playing with truth" in the Charkha programme, for satyagraha is not predominantly civil disobedience but a quiet and irresistible pursuit of Truth.