Ada Louise Huxtable Quotes, New York Quotes, Computer Quotes

The New York Hilton is laid out with a competence that would make a computer blush.

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Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.

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All autonomous agencies and authorities, sooner or later, turn into self-perpetuating strongholds of conventional thought and practice.

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Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.

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Real estate is the closest thing to the proverbial pot of gold.

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An excellent job with a dubious undertaking, which is like saying it would be great if it wasn't awful.

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Beauty or beast, the modern skyscraper is a major force with a strong magnetic field. It draws into its physical being all of the factors that propel and characterize modern civilization. The skyscraper is the point where art and the city meet.

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In New York, the impact of these concentrated superskyscrapers on street scale and sunlight, on the city's aniquated support systems, circulation, and infrastructure, on its already tenuous livability, overrides any aesthetic. ... Art becomes worthless in a city brutalized by overdevelopment.

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Until the first blow fell, no one was convinced that Penn Station really would be demolished, or that New York would permit this monumental act of vandalism against one of the largest and finest landmarks of its age of Roman elegance. Any city gets what it admires, will pay for, and, ultimately, deserves. Even when we had Penn Station, we couldn’t afford to keep it clean. We want and deserve tin-can architecture in a tinhorn culture. And we will probably be judged not by the monuments we build but by those we have destroyed

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Embellishment is an irresistible and consuming impulse, going back to the beginnings of human history. ... Probably the strongest motivating force is the simplest: the inability of almost everyone to ever leave well enough alone.

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Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.

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Because it is a national landmark, there is only one way to judge the Kennedy Center - against the established standard of progressive and innovative excellence in architectural design that this country is known and admired for internationally. Unfortunately, the Kennedy Center not only does not achieve this standard of innovative excellence; it also did not seek it. The architect opted for something ambiguously called 'timelessness' and produced meaninglessness. It is to the Washington manner born. Too bad, since there is so much of it.

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The age of Lincoln and Jefferson memorials is over. It will be presidential libraries from now on.

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Tossed into the Secaucus graveyard are about 25 centuries of classical culture and the standards of style, elegance and grandeur that it gave to the dreams and constructions of Western man. That turns the Jersey wasteland into a pretty classy dump.

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Washington is an endless series of mock palaces clearly built for clerks.

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California ... is the place that sets the trends and establishes the values for the rest of the country; like a slow ooze, California culture spreads eastward across the land.

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What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.

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It is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.

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If the British are a nation of shopkeepers, Americans are a nation of shoppers.

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Summer is the time when one sheds one's tensions with one's clothes, and the right kind of day is jeweled balm for the battered spirit. A few of those days and you can become drunk with the belief that all's right with the world.

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