At that instant he knew that all his doubts, even the impossibility of believing with his reason, of which he was aware in himself, did not in the least hinder his turning to God. All of that now floated out of his soul like dust. To whom was he to turn if not to Him in whose hands he felt himself, his soul, and his love?
But Christ could certainly not have established the Church. That is, the institution we now call by that name, for nothing resembling our present conception of the Church-with its sacraments, its hierarchy, and especially its claim to infallibility-is to be found in Christ's words or in the conception of the men of his time.
The essence of any religion lies solely in the answer to the question: why do I exist, and what is my relationship to the infinite universe that surrounds me? It is impossible for there to be a person with no religion (i.e. without any kind of relationship to the world) as it is for there to be a person without a heart. He may not know that he has a religion, just as a person may not know that he has a heart, but it is no more possible for a person to exist without a religion than without a heart.
Through the influence of real art, aided by science, guided by religion... peaceful co-operation of man is now obtained by external means - by law courts, police, charitable institutions, factory inspections... It should be obtained by man's free and joyous activity.
If there existed no external means for dimming their consciences, one-half of the men would at once shoot themselves, because to live contrary to one's reason is a most intolerable state, and all men of our time are in such a state.
A new conception of life cannot be imposed on men; it can only be freely assimilated. And it can only be freely assimilated in two ways: one spiritual and internal, the other experimental and external.
Why am I going?" he repeated, looking straight into her eyes. "You know that I am going in order to be where you are," said he. "I cannot do otherwise." "Not a word, not a movement of yours will I ever forget, nor can I.
Anna spoke not only naturally and intelligently, but intelligently and casually, without attaching any value to her own thoughts, yet giving great value to the thoughts of the one she was talking to.
Real art, like the wife of an affectionate husband, needs no ornaments. But counterfeit art, like a prostitute, must always be decked out. The cause of production of real art is the artist's inner need to express a feeling that has accumulated...The cause of counterfeit art, as of prostitution, is gain. The consequence of true art is the introduction of a new feeling into the intercourse of life... The consequences of counterfeit art are the perversion of man, pleasure which never satisfies, and the weakening of man's spiritual strength.