He spake of love, such love as spirits feel In worlds whose course is equable and pure; No fears to beat away, no strife to heal,- The past unsighed for, and the future sure.
It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.... They both speak by and to the same organs; the bodies in which both of them are clothed may be said to be of the same substance, their affections are kindred, and almost identical, not necessarily differing even in degree; Poetry sheds no tears "such as Angels weep," but natural and human tears; she can boast of no celestial ichor that distinguishes her vital juices from those of prose; the same human blood circulates through the veins of them both.
The sounding cataract Haunted me like a passion; the tall rock, The mountain, and the deep and gloomy wood, An appetite; a feeling and a love that had no need of a remoter charm by thought supplied, nor any interest Unborrowed from the eye.
Here must thou be, O man, Strength to thyself - no helper hast thou here - Here keepest thou thy individual state: No other can divide with thee this work, No secondary hand can intervene To fashion this ability. 'Tis thine, The prime and vital principle is thine In the recesses of thy nature, far From any reach of outward fellowship, Else 'tis not thine at all.
Long as there's a sun that sets, Primroses will have their glory; Long as there are violets, They will have a place in story: There's a flower that shall be mine, 'Tis the little Celandine.
The earth was all before me. With a heart Joyous, nor scared at its own liberty, I look about; and should the chosen guide Be nothing better than a wandering cloud, I cannot miss my way.