The clouds that gather round the setting sun do take a sober colouring from an eye that hath kept watch o'er man's mortality; another race hath been, and other palms are won. Thanks to the human heart by which we live, thanks to its tenderness, its joys, and fears, to me the meanest flower that blows can give thoughts that do often lie too deep for tears.
Since every mortal power of Coleridge Was frozen at its marvellous source, The rapt one, of the godlike forehead, The heaven-eyed creature sleeps in earth: And Lamb, the frolic and the gentle, Has vanished from his lonely hearth.
That though the radiance which was once so bright be now forever taken from my sight. Though nothing can bring back the hour of splendor in the grass, glory in the flower. We will grieve not, rather find strength in what remains behind.
It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.... They both speak by and to the same organs; the bodies in which both of them are clothed may be said to be of the same substance, their affections are kindred, and almost identical, not necessarily differing even in degree; Poetry sheds no tears "such as Angels weep," but natural and human tears; she can boast of no celestial ichor that distinguishes her vital juices from those of prose; the same human blood circulates through the veins of them both.