In the true mythology, Love is an immortal child, and Beauty leads him as a guide; nor can we express a deeper sense than when we say, Beauty is the pilot of the young soul.
I am old, yet I look at wise men and see that I am very young. I look over those stars yonder, and into the myriads of the aspirant and ordered souls, and see I am a stranger and a youth and have yet my spurs to win. Too ridiculous are these airs of age.
The book, the college, the school of art, the institution of any kind, stop with some past utterance of genius. . . . They look backward and not forward. But genius looks forward: the eyes of man are set in his forehead, not in his hindhead: man hopes: genius creates. Whatever talents may be, if the man create not, the pure efflux of the Deity is not his; - cinders and smoke there may be, but not yet flame.
The history of mankind interests us only as it exhibits a steady gain of truth and right, in the incessant conflict which it records between the material and the moral nature.
The peril of every fine faculty is the delight of playing with it for pride. Talent is commonly developed at the expense of character, and the greater it grows, the more is the mischief. Talent is mistaken for genius, a dogma or system for truth, ambition for greatness, ingenuity for poetry, sensuality for art.
The most advanced nations are always those who navigate the most. The power which the sea requires in the sailor makes a man of him very fast, and the change of shores and population clears his head of much nonsense of his wigwam.
Sleep is not, death is not; Who seem to die Live. House you were born in, Friends of your spring-time, old man and young maid, Day's toil and it's guerdon, They are all vanishing, Fleeing to fables, Cannot be moored