And yet," said Poirot, "suppose an accident-" "Ah, no, my friend-" "From your point of view it would be regrettable, I agree. But nevertheless let us just for one moment suppose it. Then, perhaps, all these here are linked together - by death.
You've a pretty good nerve," said Ratchett. "Will twenty thousand dollars tempt you?" It will not." If you're holding out for more, you won't get it. I know what a thing's worth to me." I, also M. Ratchett." What's wrong with my proposition?" Poirot rose. "If you will forgive me for being personal - I do not like your face, M. Ratchett," he said.
To put it quite crudely ... the poor don't really know how the rich live, and the rich don't know how the poor live, and to find out is really enchanting to both of them.
Then there are some minor points that strike me as suggestive - for instance, the position of Mrs. Hubbard's sponge bag, the name of Mrs. Armstrong's mother, the detective methods of Mr. Hardman, the suggestion of Mr. MacQueen that Ratchett himself destroyed the charred note we found, Princess Dragomiroff's Christian name, and a grease spot on a Hungarian passport.
I've always believed in writing without a collaborator, because where two people are writing the same book, each believes he gets all the worry and only half the royalties.
Real evidence is usually vague and unsatisfactory. It has to be examined---sifted. But here the whole thing is cut and dried. No, my friend, this evidence has been very cleverly manufactured---so cleverly that it has defeated its own ends.
Vous eprouves trop d'emotion, Hastings, It affects your hands and your wits. Is that a way to fold a coat? And regard what you have done to my pyjamas. If the hairwash breaks what will befall them?' 'Good heavens, Poirot,' I cried, 'this is a matter of life and death. What does it matter what happens to our clothes?' 'You have no sense of proportion Hastings. We cannot catch a train earlier than the time that it leaves, and to ruin one's clothes will not be the least helpful in preventing a murder.