I personally have never trusted museums. ... It is because museums, broadly speaking, live off of the art and artifacts of others, often art and artifacts that have been obtained by dubious means. But they also manipulate whatever it is they present to the public; hence, until Judy Chicago, in the 1970s ... few women artists were hung in any major museum. Indian artists? Artifacts only, please. Black artists? Something musical, maybe? And so forth.
In a way, no matter who's in charge of the corporation that the United States is, the direction in which it is taken seems to be inexorable. So, you just get the job of being the front man for four or eight years. Now, most people realize that's what you are.
It's essential that we understand that taking care of the planet will be done as we take care of ourselves. You know that you can't really make much of a difference in things until you change yourself.
We're going to have to debunk the myth that Africa is a heaven for black people -- especially black women. We've been the mule of the world there and the mule of the world here.
Howard Zinn helped us desegregate Atlanta. That was moving because he took a lot of abuse for that. He and Staughton Lynd, a fellow professor who was also from the North, stood with us. They were certainly behind us. In fact, they often stood in front of us. This had a huge impact on me. But one of the reasons I was very careful about speaking about the relationship I had with him and Staughton was because, in a racist society, if you acknowledge a deep love for and a deep debt owed to white teachers, they tend to discredit your own parents and your own community.
For me, writing has always come out of living a fairly to-the-bone kind of life, just really being present to a lot of life. The writing has been really a byproduct of that.
To acknowledge our ancestors means we are aware that we did not make ourselves, that the line stretches all the way back, perhaps to God; or to Gods. We remember them because it is an easy thing to forget: that we are not the first to suffer, rebel, fight, love and die. The grace with which we embrace life, in spite of the pain, the sorrow, is always a measure of what has gone before.
In a way, no matter who's in charge of the corporation that the United States is, the direction in which it is taken seems to be inexorable. So, you just get the job of being the front man for four or eight years. Now, most people realize that's what you are.
And so our mothers and grandmothers have, more often than not anonymously, handed on the creative spark, the seed of the flower they themselves never hoped to see - or like a sealed letter they could not plainly read.
To me, the black black woman is our essential mother, the blacker she is the more us she is and to see the hatred that is turned on her is enough to make me despair, almost entirely, of our future as a people.
What did it mean for a black woman to be an artist in our grandmothers' time? In our great-grandmothers' day? It is an answer cruel enough to stop the blood.