M. Mabeuf’s political opinion was a passionate fondness for plants, and a still greater one for books. He had, like everybody else, his termination in ist, without which nobody could have lived in those times, but he was neither a royalist, nor a Bonapartist, nor a chartist, nor an Orleanist, nor an anarchist; he was an old-bookist.
This conflict between right and fact has endured since the origins of society. To bring the duel to an end, to consolidate the pure ideal with the human reality, to make the right peacefully interpenetrate the fact, and the fact the right, this is the work of the wise.
The truth of an upright man must be accepted on his own terms. Moreover, since natures vary, we must agree that all the beauties of human excellence may be fostered by faiths that we do not share.
Die, very good, but do not make others die. Suicides like the one which is about to take place here are sublime, but suicide is restricted, and does not allow of extension; and so soon as it affects your neighbors, suicide becomes murder.
No doubt it was necessary to civilize man in relation to man. That work is already advanced and is making progress every day. But man must be civilized also in relation to nature.
Each of our passions, even love, has a stomach that must not be overloaded. We must in everything write the word 'finis' in time; we must restrain ourselves, when it becomes urgent; we must draw the bolt on the appetite, play a fantasia on the violin, then break the strings with our own hand. The Wise man is he who knows when and how to stop.
I am an intelligent river which has reflected successively all the banks before which it has flowed by meditating only on the images offered by those changing shores.
Nothing can be more depressing than to expose, naked to the light of thought, the hideous growth of argot. Indeed it is like a sort of repellent animal intended to dwell in darkness which has been dragged out of its cloaca. One seems to see a horned and living creature viciously struggling to be restored to the place where it belongs. One word is like a claw, another like a sightless and bleeding eye; and there are phrases which clutch like the pincers of a crab. And all of it is alive with the hideous vitality of things that have organized themselves amid disorganization.
The drama is complete poetry. The ode and the epic contain it only in germ; it contains both of them in a state of high development, and epitomizes both.