As for the author, he is profoundly unaware of what the classical or romantic genre might consist of.... In literature, as in allthings, there is only the good and the bad, the beautiful and the ugly, the true and the false.
Great griefs exhaust. They discourage us with life. The man into whom they enter feels something taken from him. In youth, their visit is sad; later on, it is ominous.
...Human thought has no limit. At its risk and peril, it analyzes and dissects its own fascination. We could almost say that, by a sort of splendid reaction, it fascinates nature; the mysterious world surrounding us returns what it receives; it is likely that contemplators are contemplated.
You have enemies? Why, it is the story of every man who has done a great deed or created a new idea. It is the cloud which thunders around everything that shines. Fame must have enemies, as light must have gnats. Do no bother yourself about it; disdain. Keep your mind serene as you keep your life clear.
Because a fact seems strange to you, you conclude that it is not one. ... All science, however, commences by being strange. Science is successive. It goes from one wonder to another. It mounts by a ladder. The science of to-day would seem extravagant to the science of a former time. Ptolemy would believe Newton mad.
I tried. But I feel that I haven't given utterance to the thousandth part of what lies within me. When I go to the grave I can say as others have said, "I have finished my day's work." But I cannot say, "I have finished my life." My day's work will begin again the next morning. The tomb is not a blind alley; it is a thoroughfare. It closes on the twilight, but opens on the dawn.
Nothing can be more depressing than to expose, naked to the light of thought, the hideous growth of argot. Indeed it is like a sort of repellent animal intended to dwell in darkness which has been dragged out of its cloaca. One seems to see a horned and living creature viciously struggling to be restored to the place where it belongs. One word is like a claw, another like a sightless and bleeding eye; and there are phrases which clutch like the pincers of a crab. And all of it is alive with the hideous vitality of things that have organized themselves amid disorganization.
The first symptom of true love in a man is timidity, in a young woman, boldness. This is surprising, and yet nothing is more simple. It is the two sexes tending to approach each other and assuming each the other's qualities.