It seems that I must bid the Muse to pack, / Choose Plato and Plotinus for a friend / Until imagination, ear and eye, / Can be content with argument and deal / In abstract things; or be derided by / A sort of battered kettle at the heel.
For such,
Being made beautiful overmuch,
Consider beauty a sufficient end,
Lose natural kindness and maybe
The heart-revealing intimacy
That chooses right, and never find a friend.
I would have touched it like a child But knew my finger could but have touched Cold stone and water. I grew wild, Even accusing heaven because It had set down among its laws: Nothing that we love over-much Is ponderable to our touch.
Because of something told under the famished horn
Of the hunter's moon, that hung between the night and the day,
To dream of women whose beauty was folded in dismay,
Even in an old story, is a burden not to be borne.
Through winter-time we call on spring,
And through the spring on summer call,
And when the abounding hedges ring
Declare that winter's best of all:
And after that there's nothing good
Because the spring time has not come-
Not know that what disturbs our blood
Is but its longing for the tomb.
As I thought of these things, I drew aside the curtains and looked out into the darkness, and it seemed to my troubled fancy that all those little points of light filling the sky were the furnaces of innumerable divine alchemists, who labour continually, turning lead into gold, weariness into ecstasy, bodies into souls, the darkness into God; and at their perfect labour my mortality grew heavy, and I cried out, as so many dreamers and men of letters in our age have cried, for the birth of that elaborate spiritual beauty which could alone uplift souls weighted with so many dreams.