Beauty is for the artist something outside all orders of rank, because in beauty opposites are tamed; the highest sign of power, namely power over opposites; moreover, without tension: - that violence is no longer needed: that everything follows, obeys, so easily and so pleasantly - that is what delights the artist's WILL TO POWER.
If we make sacrifices in doing good or in doing ill, it does not alter the ultimate value of our actions; even if we stake our life in the cause, as martyrs do for the sake of our church : it is a sacrifice to our longing for power, or for the purpose of conserving our sense of power.
Hope, in its stronger forms, is a great deal more powerful stimulans to life than any sort of realized joy can ever be. Man must be sustained in suffering by a hope so high that no conflict with actuality can dash it - so high, indeed, that no fulfilment can satisfy it: a hope reaching out beyond this world.
It quite often happens that the old man is subject to the delusion of a great moral renewal and rebirth, and from this experience he passes judgments on the work and course of his life, as if he had only now become clear-sighted; and yet the inspiration behind this feeling of well-being and these confident judgements is not wisdom, but weariness .
Weariness that wants to reach the ultimate with one leap, with one fatal leap, a poor ignorant weariness that does not want to want any more: this created all gods and afterworlds.