The nature of the infant is not just a new permutation-and-combination of elements contained in the natures of the parents. There is in the nature of the infant that which is utterly unknown in the natures of the parents.
I want relations which are not purely personal, based on purely personal qualities; but relations based upon some unanimous accord in truth or belief, and a harmony of purpose, rather than of personality. I am weary of personality. Let us be easy and impersonal, not forever fingering over our own souls, and the souls of our acquaintances, but trying to create a new life, a new common life, a new complete tree of life from the roots that are within us.
You don't want to be an animal, you want to observe your own animal functions, so as to get a mental thrill out of them. It is allpurely secondary--and more decadent than the most hide-bound intellectualism.
A house o' women is as dead as a house wi' no fire, to my thinkin'. I'm not a spider as likes to corner myself. I like a man about, if he's only something to snap at.
The love between man and woman is the greatest and most complete passion the world will ever see, because it is dual, because it is of two opposing kinds.
While the white man keeps the impetus of his own proud, onward march, the dark races will yield and serve, perforce. But let the white man once have a misgiving about his own leadership, and the dark races will at once attack him, to pull him down into the old gulfs.
I want us to be together without bothering about ourselves- to be really together because we ARE together, as if it were a phenomenon, not a thing we have to maintain by our own effort.
He always ran away from the battle with himself. Even in his own heart's privacy, he excused himself, saying, "If she hadn't said so-and-so, it would never have happened.
Design in art, is a recognition of the relation between various things, various elements in the creative flux. You can't invent a design. You recognize it, in the fourth dimension. That is, with your blood and your bones, as well as with your eyes.
The artist usually sets out -- or used to -- to point a moral and adorn a tale. The tale, however, points the other way, as a rule. Two blankly opposing morals, the artist's and the tale's. Never trust the artist. Trust the tale. The proper functions of a critic is to save the tale from the artist who created it.