The still affection of the heart Became an outward breathing type, That into stillness past again, And left a want unknown before; Although the loss had brought us pain, That loss but made us love the more.
... Nessun maggior dolore Che ricordarsi del tempo felice Nella miseria. (There is no greater pain than to remember a happy time when one is in misery.)
Why, all delights are vain, but that most vain Which, with pain purchased, doth inherit pain: As, painfully to pore upon a book, To seek the light of truth, which truth the while Doth falsely blind the eyesight of his look.
No one can understand Paris and its history who does not understand that its fierceness is the balance and justification of its frivolity. It is called a city of pleasure; but it may also very specially be called a city of pain. The crown of roses is also a crown of thorns. Its people are too prone to hurt others, but quite ready also to hurt themselves. They are martyrs for religion, they are martyrs for irreligion; they are even martyrs for immorality.
You see, if you take pains and learn in order to get a reward, the work will seem hard; but when you work... if you love your work, you will find your reward in that.
If I don't write to empty my mind, I go mad. As to that regular, uninterrupted love of writing. I do not understand it. I feel it as a torture, which I must get rid of, but never as a pleasure. On the contrary, I think composition a great pain.
Pain - has an Element of Blank It cannot recollect When it begun - or if there were a time when it was not - It has no Future - but itself - Its Infinite contain Its Past - enlightened to perceive New Periods - of Pain.
I have no pity! I have no pity! The more worms writhe, the more I yearn to crush out their entrails! It is a moral teething, and I grind with greater energy, in proportion to the increase of pain.
Sorrow, terror, anguish, despair itself are often the chosen expressions of an approximation to the highest good. Our sympathy in tragic fiction depends on this principle; tragedy delights by affording a shadow of the pleasure which exists in pain. This is the source also of the melancholy which is inseparable from the sweetest melody. The pleasure that is in sorrow is sweeter than the pleasure of pleasure itself.
The artistic temperament is a disease that affects amateurs. Artists of a large and wholesome vitality get rid of their art easily, as they breathe easily or perspire easily. But in artists of less force, the thing becomes a pressure, and produces a definite pain, which is called the artistic temperament.
For pain words are lacking. There should be cries, cracks, fissures, whiteness passing over chintz covers, interference with the sense of time, of space ; the sense also of extreme fixity in passing objects ; and sounds very remote and then very close ; flesh being gashed and blood sparting, a joint suddenly twisted - beneath all of which appears something very important, yet remote, to be just held in solitude.” — Virginia Woolf, The Waves