Ultimately, physical resemblance isn't as important as whether this person can bring this character to life in a way that's compelling and makes me care about what happens to them.
I really love storytelling, and I love the stories as they reveal themselves. It's an incredibly nourishing process; it's probably the closest I come to having a religion.
Television viewing has become for me a completely different experience, because I don't watch shows on a weekly basis. I wait until the DVD or I TiVo everything and wait until the end of a season and watch it all over a weekend. For me that's a really satisfying experience, like reading a book.
I try to tell the best story, and the story that has some heart and some genuine terror and some social commentary and some comedy and some romance and some sex and some violence.
I always choose to look, as much as one can, at the supernatural not being something that exists outside of nature, but a deeper, fundamental heart of nature that perhaps humans have lost touch with. It's a more primal thing than perhaps we are attuned to in our modern, self-aware way of life.
I need to feel like the work I'm doing is not necessarily important, but meaningful, at least to me, because otherwise it just becomes a day job. It just becomes factory work and I get really frustrated.
A lot of times, the choice of the right song will save a scene. Or there will be a scene that's a little flat and you put in the right song and somehow it just comes alive.
As a culture, we are not comfortable with mortality. We do not accept it the way other cultures do. We cling to youth, and we don't want to die. It's like, 'Well, too bad, we do.'
Life is suffering. We have desires and expectations and egos, and we compare the reality we have, which is miraculous and wondrous, with this reality we desire. That somehow distances us from actually taking part fully with the reality we do have, and that creates suffering. For me, the thing that I love is that it's all about the present moment.