Sensations are the great things, after all. Should you ever be drowned or hung, be sure and make a note of your sensations; they will be worth to you ten guineas a sheet.
And the Raven, never flitting, Still is sitting, still is sitting On the pallid bust of Pallas Just above my chamber door; And his eyes have all the seeming Of a demon's that is dreaming, And the lamplight o'er him streaming Throws his shadow on the floor, And my soul from out that shadow, That lies floating on the floor, Shall be lifted - nevermore.
The sole purpose is to provide infinite springs, at which the soul may allay the eternal thirst TO KNOW which is forever unquenchable within it, since to quench it, would be to extinguish the soul's self.
A short story is "a short prose narrative, requiring from a half hour, to one or two hours in its perusal...having conceived, with deliberate care, a certain unique or single effect to be wrought out.
I heed not that my earthly lot Hath - little of Earth in it - That years of love have been forgot In the hatred of a minute: - I mourn not that the desolate Are happier, sweet, than I, But that you sorrow for my fate Who am a passer by.
In death - no! even in the grave all is not lost. Else there is no immortality for man. Arousing from the most profound slumbers, we break the gossamer web of some dream. Yet in a second afterward, (so frail may that web have been) we remember not that we have dreamed.
Prophet!" said I, "thing of evil! - prophet still, if bird or devil! By that Heaven that bends above us- by that God we both adore- Tell this soul with sorrow laden if, within the distant Aidenn, It shall clasp a sainted maiden whom the angels name Lenore- Clasp a rare and radiant maiden whom the angels name Lenore." Quoth the Raven, "Nevermore.
Out- out are the lights- out all! And, over each quivering form, The curtain, a funeral pall, Comes down with the rush of a storm, While the angels, all pallid and wan, Uprising, unveiling, affirm That the play is the tragedy, "Man," And its hero the Conqueror Worm.
I would define, in brief, the Poetry of words as the Rhythmical Creation of Beauty. Its sole arbiter is taste. With the intellect or with the conscience, it has only collateral relations. Unless incidentally, it has no concern whatever either with duty or with truth.
True, nervous, very, very dreadfully nervous I had been and am, but why will say that I am mad?! The disease had haunted my senses, not destroyed, not dulled them. Of all the sense of hearing acute.
Come little children I'll take thee away, into a land of Enchantment Come little children the time's come to play here in my garden of Shadows Follow sweet children I'll show thee the way through all the pain and the Sorrows Weep not poor childlen for life is this way murdering beauty and Passions Hush now dear children it must be this way to weary of life and Deceptions Rest now my children for soon we'll away into the calm and the Quiet Come little children I'll take thee away, into a land of Enchantment Come little children the time's come to play here in my garden of Shadows
The unity of effect or impression is a point of the greatest importance. It is clear, moreover, that this unity cannot be thoroughly preserved in productions whose perusal cannot be completed at one sitting.