Odors have an altogether peculiar force, in affecting us through association; a force differing essentially from that of objects addressing the touch, the taste, the sight or the hearing.
The sole purpose is to provide infinite springs, at which the soul may allay the eternal thirst TO KNOW which is forever unquenchable within it, since to quench it, would be to extinguish the soul's self.
Hear the mellow wedding bells, Golden bells! What a world of happiness their harmony foretells Through the balmy air of night How they ring out their delight! From the molten golden notes, And all in tune What a liquid ditty floats To the turtle-dove that listens while she gloats On the moon!
Let us dismiss, as irrelevant to the poem per se, the circumstance ... which, in the first place, gave rise to the intention of composing a poem that should suit at once the popular and the critical taste.
I stand amid the roar Of a surf-tormented shore, And I hold within my hand Grains of golden sand- How few! yet how they creep Through my fingers to the deep, While I weep- while I weep!
Sound--
That stealeth ever on the ear of him
Who, musing, gazeth on the distance dim,
And sees the darkness coming as a cloud--
Is not its form--its voice--most palpable and loud?
In the tale proper--where there is no space for development of character or for great profusion and variety of incident--mere construction is, of course, far more imperatively demanded than in the novel.