I have not only labored solely for the benefit of others (receiving for myself a miserable pittance), but have been forced to model my thoughts at the will of men whose imbecility was evident to all but themselves
And all my days are trances, And all my nightly dreams Are where thy dark eye glances, And where thy footstep gleams-- In what ethereal dances, By what eternal streams!
Hear the mellow wedding bells, Golden bells! What a world of happiness their harmony foretells Through the balmy air of night How they ring out their delight! From the molten golden notes, And all in tune What a liquid ditty floats To the turtle-dove that listens while she gloats On the moon!
If I could dwell where Israfel hath dwelt and he where I he might not sing so wildly well a mortal melody while a bolder note then this might swell from my lyre in the sky.
I have no faith in human perfectability. I think that human exertion will have no appreciable effect upon humanity. Man is now only more active - not more happy - nor more wise, than he was 6000 years ago.
The want of an international Copy-Right Law, by rendering it nearly impossible to obtain anything from the booksellers in the wayof remuneration for literary labor, has had the effect of forcing many of our very best writers into the service of the Magazines and Reviews.
In other words, I believed, and still do believe, that truth, is frequently of its own essence, superficial, and that, in many cases, the depth lies more in the abysses where we seek her, than in the actual situations wherein she may be found.
During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was - but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit.
[E]very plot, worth the name, must be elaborated to its dénouement before anything be attempted with the pen. It is only with the dénouement constantly in view that we can plot its indispensable air of consequence, or causation, by making the incidents, and especially the tone at all points tend to the development of the intention.
I am excessively slothful, and wonderfully industrious-by fits. There are epochs when any kind of mental exercise is torture, and when nothing yields me pleasure but the solitary communion with the 'mountains & the woods'-the 'altars' of Byron. I have thus rambled and dreamed away whole months, and awake, at last, to a sort of mania for composition. Then I scribble all day, and read all night, so long as the disease endures.
Thy soul shall find itself alone ’Mid dark thoughts of the gray tombstone— Not one, of all the crowd, to pry Into thine hour of secrecy. Be silent in that solitude, Which is not loneliness—for then The spirits of the dead who stood In life before thee are again In death around thee—and their will Shall overshadow thee: be still. [...]
There might be a class of beings, human once, but now to humanity invisible, for whose scrutiny, and for whose refined appreciation of the beautiful, more especially than for our own, had been set in order by God the great landscape-garden of the whole earth.