There are a lot of true culturalists who respect where they're from, but you have some who are just all about the benjamins, like, "I wanna get my money, I wanna get mine, you get yours, more power to you," and they don't care. That deals with the whole thing of life, whether you're agreeable or disagreeable, the yin and the yang, the evil versus good. That's how it is in the music industry. There are people who care for the whole culture and what they're doing, and have love for it, and are not into just making money.
The Law is not in fault, but our evil and wicked nature; even as a heap of lime is still and quiet until water is poured on it, but then it begins to smoke and burn, not from the fault of the water, but from the nature of the lime, which will not endure it.
If you pursue good with labor, the labor passes away but the good remains; if you pursue evil with pleasure, the pleasure passes away and the evil remains.
To be effective, morality has to be reasoned (or worked out). To want ("vouloir", Fr.) to repress evil only by coercion, and to obtain morality by a sort of training with the help of constraint, without motivating it from within, is to make it an unnatural result, devoided of lastind value.
The time will come when the evil forms we have known can no more be organized. Man's culture can spare nothing, wants all material. He is to convert all impediments into instruments, all enemies into power.
There were times when it appeared to Dorian Gray that the whole of history was merely the record of his own life, not as he had lived it in act and circumstand, but as his imagination had created it for him, as it had been in his brain and in his passions. He felt that he had known them all, those strange terrible figures that had passed across the stage of the world and made sin so marvellous, and evil so full of subtlety. It seemed to him that in some mysterious way their lives had been his own.