I was an accomplished junior tennis player up to around fourteen years old. At fourteen or fifteen I made the decision to venture off to make my life 100% music.
They (Liverpool players) are passing the cup down the line like a new born baby. Although when they are back in the dressing room they will probably fill it with champagne, something you should never do to a baby.
I have three tools at my disposal - my whistle, my body language and my talk. It is a question of how I marry them up to try to get the players around to my way of thinking.
An agent won't help you get drafted higher, won't make you win more games, and won't make you faster or stronger. They all say they can, but the people who do the drafting don't talk to agents. They talk to coaches, they watch film, they talk to the people who've worked with players. They don't talk to agents.
I was never great, but I was a good [basketball] player, and I could play seriously. Now I'm like one of these old guys who's running around, and the guys I play with, who are all a lot younger, they sort of pity me and sympathize with me. They tolerate me, but we all know that I'm the weak link on the court. And I don't like being the weak link.
I played with Joey Mullen back in Salt Lake City before he got called up to St. Louis. He was the first player ever to score 20 goals in the American League and 20 in the NHL. I've kept in contact with him and he's a great guy.