Socrates and Plato are right: whatever man does he always does well, that is, he does that which seems to him good (useful) according to the degree of his intellect, the particular standard of his reasonableness.
Thus rhetoric, it seems, is a producer of persuasion for belief, not for instruction in the matter of right and wrong ... And so the rhetorician's business is not to instruct a law court or a public meeting in matters of right and wrong, but only to make them believe.
Arithmetic has a very great and elevating effect, compelling the soul to reason about abstract number, and rebelling against the introduction of visible or tngible objects into the argument.
That makes me think, my friend, as I have often done before, how natural it is that those who have spent a long time in the study of philosophy appear ridiculous when they enter the courts of law as speakers. Those who have knocked about in courts and the like from their youth up seem to me, when compared with those who have been brought up in philosophy and similar pursuits, to be as slaves in breeding compared with freemen.
Nor at all can tell Whether I mean this day to end myself, Or lend an ear to Plato where he says, That men like soldiers may not quit the post Allotted by the Gods.
Ornate rhetorick taught out of the rule of Plato.... To which poetry would be made subsequent, or indeed rather precedent, as being less suttle and fine, but more simple, sensuous, and passionate.
There are not in the world at any one time more than a dozen persons who read and understand Plato:-never enough to pay for an edition of his works; yet to every generation these come duly down, for the sake of those few persons, as if God brought them written in his hand.
And we must beg Homer and the other poets not to be angry if we strike out these and similar passages, not because they are unpoetical, or unattractive to the popular ear, but because the greater the poetical charm in them, the less are they meet for the ears of boys and men who are meant to be free, and who should fear slavery more than death.
Beauty of style and harmony and grace and good rhythm depend on simplicity - I mean the true simplicity of a rightly and nobly ordered mind and character, not that other simplicity which is only a euphemism for folly.