I think the biggest, saddest thing that happens in our lives is that we just don't embrace the things that could make it better because they don't seem to make it better at any given moment or we can't decide how to get across the aisle to that person.
I'm so busy trying to breathe through the pain that I'm breathing through the pain of being with people, and that is no way to spend a life. Eventually, they'll just go away, because you will make them sad. That's something I've proven quite adept at doing over the years.
Over and over again in my life, I find closeness to other people and proximity to other people really painful; that's part of my mental illness, social anxiety. Closeness to other people is really hard, but it's also a shame because it's all you want too. But it doesn't always work.
I've spent most of my life living in cities where people are obsessed with looking down on people from everywhere else. You get so used to doing it that you start to believe it's simply what everyone does. It makes for an atmosphere of unwelcome that penetrates much of our modern life. It's a shame really because a couple days in Oklahoma will open your eyes to how much better it would be if the rest of the country was filled with a few more people from Oklahoma.
It's impossible having five, six, seven people in a room being creative together and not fight, because you want to fight. It's the only way creativity works, if you all put your ideas in.
Closeness to another person is like a fear of falling off a building to me. It's really, like, physically painful, and it's a brand of crazy I don't appreciate having.
Got no place to go, but there's a girl waitin' for me down in Mexico. She got a bottle of tequila, a bottle of gin, and if I bring a little music, I could fit right in.
The nice thing about being on stage is it's not that I know what to do, but I have a very clear feeling that anything I do is OK. All I'm up there to do is express how I feel. Any way I choose to do that is fine.