A lot of life is about how you feel relating to dealing with this person or that person. If this person makes you feel good, then they're a person to be around; if they don't, they're not. Being in a band is different. The group is the more important part, and you have to kind of shift the way you look at life when you're in a group of people that you work with.
Over and over again in my life, I find closeness to other people and proximity to other people really painful; that's part of my mental illness, social anxiety. Closeness to other people is really hard, but it's also a shame because it's all you want too. But it doesn't always work.
You have to kind of shift the way you look at life when you're in a group of people that you work with. It's not so much, do they make you feel good when you're around them all the time; it's how can you make everyone feel comfortable together.
We waste a lot of our lives sometimes. There are people sitting across from us who would make the whole world better if we spent more time with them in it, but we can't get across that gully.
The nice thing about being on stage is it's not that I know what to do, but I have a very clear feeling that anything I do is OK. All I'm up there to do is express how I feel. Any way I choose to do that is fine.
When you're young and you play music, you have a peer group, you come out of a scene. There's a lot of people you know, and then you have some success, and it all goes away.
That's where the songs come from: that's what I'd most want people to understand. What sounds good or looks good, that's nothing. The only worthwhile thing in art is seeing someone else's heart.
Sometimes the world seems like a big hole. You spend all your life shouting down it and all you hear are echoes of some idiot yelling nonsense down a hole.
It's impossible having five, six, seven people in a room being creative together and not fight, because you want to fight. It's the only way creativity works, if you all put your ideas in.