The explosions, like the urban legends, are a great way of bringing people in to watch, because it's really fun, and you know we're always going to give you a satisfying ending.
I think at this point, there's a certain bizarre chemistry between Jamie [Hyneman] and I that we can't ignore a lot of the mechanics of, that we're quite aware of. Half of it is absolutely genuine, and half of it is us playing around with that fact.
Growing up in New York, I was sort of shocked when I realized that my children are Californians. They are 14 years old, and I explain to them frequently that they will never realize the glory of a snow day. You wake up and the world says, 'Oops, it's too much fun to go to school, you've got to stay home and deal with the snow!'
From earliest times, humans - explorers and thinkers - have wanted to figure out the shape of their world. Forever, the way we've done that is through storytelling. It is difficult to let the truth get in the way of a good story.
Walking the floor at a con dressed as Chewbacca, you might as well be Bono. I mean it's ridiculous. People just walk up and grab you and hold you, because they love Chewbacca so much.
Again, like I said, my life has been about being fascinated by objects and the stories that they tell, and also making them for myself, obtaining them, appreciating them and diving into them.
It's sort of a mental attitude about critical thinking and curiosity. It's about mindset of looking at the world in a playful and curious and creative way.
I felt like I had kind of played it out, and I wanted to see what was next, and then came Mythbusters. You know, it's the best job I've ever had, on its worst day it's better than anything else, but it's a huge amount of responsibility, and there are days when just going into work and building something from someone else's drawing sounds like going back to heaven.