The tourist may complain of other tourists; but he would be lost without them. He may find them in his way, taking up the best seats in the motors, and the best tables in the hotel dining-rooms; but he grows amazingly intimate with them during the voyage, and not infrequently marries one of them when it is over.
the audience is the controlling factor in the actor's life. It is practically infallible, since there is no appeal from its verdict. It is a little like a supreme court composed of irresponsible minors.
He is your friend, your partner, your defender, your dog. You are his life, his love, his leader. He will be yours, faithful and true, to the last beat of his heart. You owe it to him to be worthy of such devotion.
Our dogs will love and admire the meanest of us, and feed our colossal vanity with their uncritical homage.
It is claimed that the United States gets the cleanest and purest tea in the market, and certainly it is too good to warrant the nervous apprehension which strains and dilutes it into nothingness. The English do not strain their tea in the fervid fashion we do. They like to see a few leaves dawdling about the cup. They like to know what they are drinking.
A vast deal of ingenuity is wasted every year in evoking the undesirable, in the careful construction of objects which burden life. Frankenstein was a large rather than an isolated example.
A kitten is the most irresistible comedian in the world. Its wide-open eyes gleam with wonder and mirth. It darts madly at nothing at all, and then, as though suddenly checked in the pursuit, prances sideways on its hind legs with ridiculous agility and zeal.
Tea had come as a deliverer to a land that called for deliverance; a land of beef and ale, of heavy eating and abundant drunkenness; of gray skies and harsh winds; of strong-nerved, stout-purposed, slow-thinking men and women. Above all, a land of sheltered homes and warm firesides - firesides that were waiting - waiting for the bubbling kettle and the fragrant breath of tea.
If everybody floated with the tide of talk, placidity would soon end in stagnation. It is the strong backward stroke which stirs the ripples, and gives animation and variety.
Sensuality, too, which used to show itself course, smiling, unmasked, and unmistakable, is now serious, analytic, and so burdened with a sense of its responsibilities that it passes muster half the time as a new type of asceticism.
[Mary Wortley Montagu] wrote more letters, with fewer punctuation marks, than any Englishwoman of her day; and her nephew, the fourth Baron Rokeby, nearly blinded himself in deciphering the two volumes of undated correspondence which were printed in 1810. Two more followed in 1813, after which the gallant Baron either died at his post or was smitten with despair; for sixty-eight cases of letters lay undisturbed ... 'Les morts n'écrivent point,' said Madame de Maintenon hopefully; but of what benefit is this inactivity, when we still continue to receive their letters?
There are few things more wearisome in a fairly fatiguing life than the monotonous repetition of a phrase which catches and holds the public fancy by virtue of its total lack of significance.